Description :

Personnel: George Strait (vocals); Brent Mason (acoustic & electric guitars), Paul Franklin (steel guitar); Steve Nathan (organ, synthesizer), Glenn Worf (bass); Eddie Bayers (drums); Curtis Young, Liana Manis (background vocals). <p>Everyone loves George Strait. From country fans to rock critics, George Strait is singled out as the PURE country artist. On LEAD ON, his admirers have new reason to follow. <p>His unadulterated country sound, awash in steel, fiddles and clean guitar picking, is swept by the deep waves of his distinctive Texas baritone. From the cajun dance beat of "Adalida" to the maxi-traditional "I Met A Friend Of Yours Today," Strait runs the gamut of tasty and tasteful country. No filler, no radio junkfood, just a lesson to all the wannabes, this is Country Music 101. <p>"Nobody Gets Hurt," by Jim Lauderdale (a Strait favorite) and Terry McBride, is a contemporary country classic with an old-time bass shuffle that makes it sound warmly familiar. "Down Louisiana Way" sounds like a frisky Lucinda Williams cover. "The Big One" is classic Straitabilly, an unobtrusive marriage of rock and country. "Lead On" is a gentle ballad, with dead-on delivery and phrasing. <p>Every cut is restrained, no excesses, but there's no holding back either. The tear in Strait's beer is as salty as any other country singer, and when he hurts you hear the sting. LEAD ON is like a greatest hits package: diverse, familiar, and of the highest quality. Only George Strait can pull off such a feat with ten new songs.

George's Strait discography has always been consistently good. This CD was never much in light, but it is excellent, with even a few gems like the cajun-flavored "Adalida", and the moving "Down Louisiana Way" which were not included in his fabulous box-set. Buy and listen. Paul LeBoutillier

The first thing I noticed was this was the first Strait album with lyrics included in the liner notes, which was nice of them to finally do.

My favorite songs on this one are Nobody Has To Get Hurt and I'll Always Be Loving You. Both have solid melodies and choruses that practically force you to sing along. Nice, creative idea on Nobody. Lead On is very The Chair-ish, as both do great jobs at examining the initial stages of a relationship. You Can't Make A Heart delivers an impressive and overlooked message, and I Met A Friend relates a realistic scenario to the meltdown of a couple.

Adalida and Big One are songs that start to get away from him a few times, with Adalida being perhaps the only substance-free song on the album. George's weakest songs have always been at least listenable and above average. This applies to What Am I Waiting.

Overall, this is a solid album, but lacks the one gotta-have, instant-classic tune that many of Strait's other albums possess.

I Like This Album. It Was Released In The Fall Of 1994. The Lead-Off Single "The Big One" Went Strait To Number 1. So Didn't "You Can't Make A Heart Love Somebody". The Title Track Is Also Another Love Balled. Buy This CD Today.

I really enjoy George Straits music and I do intend to get more of them as soon as I can

Living With Sister- Monochrome Fantasy -finishe... May 2026

And as we navigate the ups and downs of life, we know that we’ll always have each other. Our sisterly love is a constant, a beacon of hope and support in a world that can sometimes seem uncertain. Living with my sister in Monochrome Fantasy is a journey I wouldn’t trade for anything. It’s a world of beauty, of wonder, and of endless possibility. And with Aria by my side, I know that we can face whatever challenges come our way.

In the words of our ancestors, “In a world of shades, find the beauty in the tone.” Living With Sister- Monochrome Fantasy -Finishe...

Our Story Begins My sister, Aria, and I have grown up in this world of Monochrome Fantasy. We’ve explored its landscapes, navigated its challenges, and learned to appreciate its unique beauty. Our days are filled with the soft rustle of gray leaves, the gentle hum of black birds, and the warm glow of white sunsets. And as we navigate the ups and downs

As we grew older, our bond grew stronger. We became inseparable, sharing our deepest secrets, supporting each other through thick and thin, and exploring the depths of our monochrome world. Our parents, wise and loving, encouraged us to be independent, yet always there to offer guidance and support. Living in a world without colors may seem dull to some, but for Aria and me, it’s a world of endless possibilities. We’ve learned to appreciate the subtleties of texture, the nuances of tone, and the beauty of simplicity. Our home, a cozy little cottage on the outskirts of a gray forest, is a testament to our resourcefulness and creativity. It’s a world of beauty, of wonder, and

One of our greatest triumphs was when we discovered a hidden underground spring, deep in the heart of the gray forest. The water was crystal clear, and its gentle song was like music to our ears. We spent hours exploring the spring, and eventually, we decided to build a small, black stone fountain, where we could sit and reflect. As we look to the future, Aria and I are excited to see what lies ahead. We’re planning to explore more of our world, to discover new landscapes, and to meet new people. We’re considering starting a small, gray and white craft business, where we can sell our wares to fellow inhabitants of Monochrome Fantasy.

So, if you’re considering a life in Monochrome Fantasy, I say, “Come and explore.” You never know what wonders you might discover, or what bonds you might form. And who knows? You might just find a sister, or a friend, to share it all with.

We spend our days tending to our garden, where we grow a variety of gray and white flowers, and black and silver herbs. We cook meals using a combination of foraged ingredients and clever recipes, often experimenting with new flavors and textures. And when the mood strikes us, we sit by the window, watching the monochrome sunset, and sharing stories of our adventures. Of course, life in Monochrome Fantasy isn’t without its challenges. There are days when the gray skies seem to close in, and the world feels oppressive. There are times when Aria and I disagree, and our sisterly love is put to the test. But through it all, we’ve learned to rely on each other, to communicate openly, and to find strength in our bond.